[Anglo-Filles] Episode 45 – Potpourri-tangent-palooza 4: The Smorgasbord

Les Filles cover a smattering of topics this month: including a trip to Sweden, the exhausting and disheartening advent of the Brexit, the utter mediocrity of this year’s summer blockbusters, and the Tonys (and this bit isn’t even all about Hamilton, but it’s still a little about Hamilton).

Click here to listen to the latest episode of the Anglo-Filles.

[Interview] Gotham’s Robin Lord Taylor

written by Emily Whitten, full interview originally published on ComicMix June 11, 2016. Reprinted with permission from the author.

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Fox’s Gotham TV series has been going strong for two seasons and is now renewed for a third. The show began with a focus on (future Commissioner) Jim Gordon’s early career in Gotham, but has quickly expanded to include the early days of many Batman villains as well. One of the most striking of these is The Penguin; a previously cartoonish character (in screen adaptations) who has been masterfully portrayed in Gotham by Robin Lord Taylor as a complex young man who rises from being a minor player in Fish Mooney’s entourage to becoming the self-proclaimed “King of Gotham.” Taylor’s nuanced portrayal of Oswald Cobblepot, The Penguin, has made him a compelling, horrifying, and yet somehow still sympathetic character – one I’m invested in even while I’m despising what he does.

After having had the opportunity to speak with Taylor by phone in the week leading up to Awesome Con in Washington, DC, and to meet him at the Con, I can see where The Penguin’s charm and disarming manner originate; but fortunately for us, and unlike The Penguin, Taylor himself strikes me as a delightful human being; and he has a lot to say about his role in Batman’s Rogues’ Gallery.

Read the full interview here on ComicMix; or listen here for the audio version.

[Review] The Flash (2014) – 1×02: “Fastest Man Alive”

This week’s episode has Kevin beside himself with delight. Kick back and get yourself something filling, ’cause we’re taking a look at CW’s The Flash.

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Last week’s post was more recappy and less analytical than I was originally intending. But that’s sort of the problem with first episodes – regardless of the usage of origin stories, there’s just way too much world-building and exposition that needs to happen before we get to the real dynamics.

But with the setup out of the way, it’s time to get down to business – which is something that Barry Allen fully agrees with, based on the opening narration of this week’s episode.

BARRY: “This is the part where I’m supposed to do the whole intro thingy. Barry Allen, Fastest Man Alive, but you know all that already. All right, let’s get to the good stuff.”

Far be it from me to argue with the protagonist.

The episode may be old, but spoiler warnings are still in full effect after the cut.

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[#366Flicks] Main characters don’t get helmets.


The mysterious man at the box office had an exclamation point over his head. I accepted his quest, and stopped by the merchant to prepare. With food and carbonated potion in hand I ventured into a new realm. Ladies and gentlemen, I have seen Warcraft.

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[Review] The Flash (2014) – 1×01: “Pilot”

Lightning may not have given him abs, but Kevin is here to talk about his new favorite show. Strap yourselves into your Cosmic Treadmills, ’cause we’re taking a look at CW’s The Flash.

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I’ll start out by saying that I don’t really keep up with Arrow. I had seen a couple episodes before this, and I’ve gone back and watched the Flash crossover episodes (and then I went back to some of the rest on Netflix afterwards), but I have trouble really getting into it. It’s dark and melodramatic and I’m sure it’s very good, but it hasn’t been holding my interest nearly as much as it could be.

(I’ll probably watch it anyway, though. At some point.)

I also do not really read that many comics, not like some of the ladies here1 do. All I know about the Flash comes from the animated Bruce Timmverse (which is Wally West), Young Justice2 (which has all four Flashes at one point), the 1990 series that I used to watch with my mom, and a couple of friends who are really into speedsters so I’ve picked some stuff up from proximity.

(I also am caught up with the series, as well – as of this writing, the most recent episode was 2×23, “The Race of His Life”, so until my writing catches up with the airing, this is a rewatch, rather than a first-watch review.)

But! Anyway. Let’s talk about a show that’s been on for two years, but I’m only now3 starting to get into it. Let’s talk The Flash.

The episode may be old, but spoiler warnings are still in full effect after the cut.

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[Editorial] And Then the Heroes Fight

written by Kate Spencer

This year saw the release of two big superhero films where their primary selling point was a battle between beloved superheroes. Any comic book fan will tell you this is nothing new – heroes fight all the time. It’s an exhausted trope in the medium, so much so that “and then the heroes fight” has become a joke. When it’s done right, it can make for an interesting conflict between sympathetic characters while maintaining their heroic status. When it’s done poorly, one or both heroes have to be reduced to villain status and someone is going to need a retcon or a mindwipe to make them even remotely likable again.

I’ve been sitting on this one for a while, trying to let my thoughts and first impressions really settle on Captain America: Civil War and Batman v Superman: Dawn Of Justice before I did a proper comparison. I even considered watching X-Men: Apocalypse and doing a three-way comparison, but I decided against that for a few reasons. Adding X-Men would have been a bit too much and I’d be trying to justify it by saying that Storm, Psylocke, and Angel are some of Apocalypse’s horsemen. A lot of times Apocalypse brainwashes his horsemen – and I think a brainwashed hero fight is a different sort of story. Even if they aren’t brainwashed there’s still a clear “good” and “evil” side to the conflict. It’s not heroes having a disagreement that escalates into a fight, it’s heroes working for the bad guy for “reasons”. Civil War gives you heroes on opposing sides who are both and neither morally in the right, and BvS…well, it tries.

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